Sunday, June 9, 2013

Review: The Act of Killing


This is an imperfect world. Mass oppressions, mass murders, and genocides still happens until today. Hundreds, thousands, even millions were slaughtered for meaningless reason. Nazi Germany, Communist Russia, racist Rwanda, racist Serbs, etc did that.

Decent people are always baffled by this, what kind of human beings were able to conduct such atrocities? How they deal with their empathy, their conscience? The movie maker Joshua Oppenheimer tried to somehow answer important questions like that with this documentary movie. 

The film started with an important disclaimer: unlike the Nazi Germany, or the Interhamwe militia in Rwanda, the perpetrators here were and still are the winners, people who have connections to the highest level of power in Indonesia. This is the movie about how some butchers from the 1960s "communist" massacres tried to create a movie to glorify their massacres. The movie focused especially on Anwar Congo, who before the massacre was a small-time movie theatre gangster (Preman in bahasa Indonesia).

The movie shows that those gangsters are so full of themselves. They proudly admit in front of camera how they enjoy those massacres, laughingly explained how they enjoy raping 14 years old "communist". Their pride is also extended to any other "gangster" activities, and even to the label "gangster"/preman itself. Many of them stated that the word preman came from the word "free man," people who are free, who want to do anything they like. Looks like that freedom includes freedom to threaten and extort some store owners in the market in front of a recording camera. Yes, they are THAT proud.

That pride even overcame their logic. In one scene, the gangsters re-enact the destruction of a communist village. The then-deputy of Sport Minister, Sakhyan Asmara come and lead the reenactment. After the shooting, he realized that such spectacle would impress the audience that the communists were the victims, and the gangsters were barbarous thugs. BUT, he also asked Oppenheimer NOT to delete that scene because "People need to know that Indonesians can be very furious when fighting against communist!"

That means this movie goes BEYOND the 1960s massacre. This is a documentary about Indonesia past and present gangster's culture. Oppenheimer asked Anwar Congo and his friends about "justice" and "truth." One of them said "truth is not always right, and justice is defined by the winner." As an Indonesian, I am sure there are millions who agree with this statement OR accept it as "unchangeable truth." This is exactly the reason why Indonesia will never become a developed country. Rule of law, human rights, and so many other civilized things are lower priorities in comparison with pride and personal fortune, they are SUBORDINATE to the existing gangster culture, and its acceptance by many Indonesians.

That alone make this movie fascinating, and there is one more important point here for me: the most important question is not about "justice" or the past. Not about whether those gangsters should be punished or not. For me, the future is far more important. That's why the biggest question is: 
"Can such atrocity happen again in Indonesia?" 
With such pride from doing it, with such glorification of previous atrocities, why not? And after second thought, I remember that the Shiah and the Ahmadis experienced similar atrocities TODAY. In essence, it is not the question "Can it happen again?" but "When will it stop?" At first, everything looks bleak. Looks like Indonesia is trapped in this appalling gangster culture. 

But, not all is lost. In the last part of the movie, Congo's empathy overcome his pride. He finally started to feel the pain of his victim after he played a communist sympathizer in one of the reenactment of the torture. We can clearly see from his eyes, from his body languages that the guilt finally manifested. Oppenheimer reminded him that he felt that EVEN THOUGH he knew that such torture is only a play, while all his victims knew their life would end shortly. Congo replied with "But I know Josh. I feel it." That scene alone give me hope that conscience exists, that such monstrosity is not acceptable, that Indonesia can overcome its gangster culture.

Nevertheless, it has to be stressed that looks like Anwar Congo is the exceptional case. His compatriots don't show any remorse or guilt. Indonesia still in the long way to reach "post-gangster culture" where rule of law & human rights are the norms, not mass murder & coercion.


Final verdict: 100/100. Thank you Joshua Oppenheimer, for sharing with the world the true face of Indonesia, for giving me hope that not all is lost. Let the world know the complete picture of Indonesia. Let Indonesians become aware of this atrocities and all madness that follows ...


1 comment:

  1. When I first learned about this film I felt sick for days. I also knew I had to watch it. It's an amazing production.

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